Art Quote

"All art is autobiographical; the pearl is the oyster's autobiography."

Frederico Fellini



I collect aphorisms and quotes. When I read this one, I paused to reflect on the words and their meaning. I thought about how long art has been a part of my life. It is true that when you think about your art, you realize that it does tell the story of your life.



Friday, August 27, 2010

PARIS~City of Flowers

And Paris is a woman’s town, with flowers in her hair.”
                                                                                                                                             Henry Van Dyke

I thought I’d give you another view of the city that I love so much.
  A city of  beautiful flowers.
The very first site we visited as tourists was the Rodin Museum…known for its sculpture and its garden. For us, the garden was the focal point. I only wish I had taken more photos of the spectacular rose bushes which were more the size of small trees. All were blooming. We are rose lovers so this was a great start to our trip.



The tour of Giverny, Monet's home, was truly one of sensory overload!
The water garden was a “sea of greens”…the true challenge for every artist.
Monet's Japanese footbridge sans tourists!

But the backyard garden was even more of a delight….oh,the Dahlias !

I am at a loss for adjectives and superlatives. So many varieties and the size.  I’d love to know what they feed them to get them to grow so large. Dahlias,  I think, could be the national flower of France. Maybe they are.





The flower market on the Ile de la Cite, near the Notre Dame, is a permanent market. Flowers,  exotic plants, pots, planters and everything for the gardener can be found there.

On Sundays, it becomes an exotic bird market as well.  Such a variety of parrots and other tropical birds I've never seen in one place.





You see flowers in the windows everywhere. These were photographed in Montmartre.
Montmartre, as the name suggests, is a hill with the beautiful Sacre Coeur Basilica perched on the top.  A bohemian part of the city,  it was once the creative center where artists lived~Renoir and Toulouse Lautrec among others.  Montmartre is a tangle of steep staired lanes and where you will find the Moulin Rouge.
















This is not a flower shop, it's a restaurant; also in Montmartre.



"April in Paris, chestnuts in blossom"....I never really gave much thought to those lyrics until we arrived in Paris in April and saw all the chestnut trees in blossom.  It became pretty apparent that the chestnut tree is dominant in the city.


One day we were in line waiting to use the femmes toilettes outside of the Palais de Chaillot~it was a very long line.  The wait wasn't so bad with these beautiful flower beds to look at.




Paris parks and gardens are my favorite places.  They are visual feasts!

Tuileries adjacent to the Louvre



Jardin du Luxembourg

a very popular place especially at lunchtime!

Square Jean XXIII is located behind the Notre Dame; very tranquil, shaded, a perfect retreat on the very busy and crowded Ile de la Cite.



Parc Monceau is a small park located in the 9th arrondissement.  This is a more resendential area with large stately buildings.  The foxglove were spectacular.  I don't think I had ever really noticed foxglove before.  Here it is one of the predominant flowers.


Parc Floral du Paris located in Bois de Vincennes on the outskirts of the city.
More foxglove.  There was a water garden here too.



When you cross the bridge from the Ile de la Cite, after viewing Notre Dame,
 you will find yourself on the Left Bank and strolling through the lovely Square Vivani.  When we were there the arbors were covered in climbing roses.




Whether you are walking along the Seine and notice a booth of one of the bouquinistes (the permanent book stalls that line the river).....




or just pass by a restaurant with a lovely display boasting the "special of the day"...


you will find flowers everywhere!


I  read a book titled “Rococo”, its theme-- interior design. One sentence struck so true,
People behave better when the world is lovely.” I would agree.
Parisians have such good manners.
It must be the flowers.

Monday, August 23, 2010

BEACHGYPSY ART

Every artist has finished artwork accumulating in their space.  I had piles of watercolors overtaking mine.  It was actually affecting my desire to paint.  That's when I started Beachgypsy Art.


 I make boxed note cards, magnets,calendars and small matted prints that I sell in a local gift shop, Venice Stationers, here in Venice,Florida.  While I paint a variety of subjects, Beachgypsy Art is all tropical themed.  Venice is a tourist destination so Beachgypsy Art features local sites and wildlife.  My business is small and home-based.  My production manager, aka Woody (my husband), does all the "work"; printing, cutting, folding and boxing.  Am I lucky or what!!

How did you come up with beachgypsy art?  (I get asked that alot.)
  Along with, what on earth is a beachgypsy?

Upon retiring from my job of 30 years, I moved to Florida permanently. Before I left, my co-workers and I were sitting at lunch discussing what I was going to do. I said, "I'm going to be gypsy or maybe a beachbum." I had always had this thing about gypsies being free and going anywhere they wanted. When I had a "bad" day, I always just exclaimed, "I'm leaving and I'm going to become a gypsy!"
And that is exactly what I did.
I traveled around the southwest, seeing all of the beautiful parks in Utah, Arizona and New Mexico, I lazed around on the beach in Florida, drove up and down the East coast, stopping to see friends and relatives along the way. Then, I decided to stay in Florida and that is when I started Beachbumming 101.
So that is really how Beachgypsy Art came to be named...
it's the combination of the gypsy and the beachbum.
I started making the calendar by hand many years ago (I think it was in 1997).  It was a Christmas gift for my Mother and sisters.  The images were watercolor and the days and weeks were calligraphied.  I'd take my 12 finished pages to Kinkos and would cut them to fit in to small acrylic frames.  The next year when my sister didn't get a calendar, she asked "why didn't you make calendars this year?"   I felt guilty & immediately went to work on 12 more scenes and gave them all a new calendar.   That was the beginning of the yearly calendar.


Since then, the calendar has evolved.  Each year, I make at least 4 calendars; two for the gift shop, one of Venice Scenes and one of Tropical Scenes; one of my favorite paintings done that year; and one of Orchids that I have photographed at the shows we attend. 

The first product that I tried to market was a boxed set of Orchid Cards. When I approached the owner,Rosanne Brown, of Venice Stationers, she asked if I had any cards of local sites, the Venice Welcome sign in particular. I didn't but told her I would work on it and get back to her.

I went right home, got my camera, drove back to Venice Ave and shot the sign from several angles.  2 days later I took the painting back to the shop. Rosanne loved the scene, I made it into cards and that started Beachgypsy Art on it's way.  Since painting that first Venice site, I have added others creating an assortment of Venice Notes

 I also have boxes of assorted Shorebirds...


and Shells...
The area in the shop where my cards are displayed has grown considerably over the past 5 years.  From one small shelf to a whole section now for the boxed cards and prints and calendars.

In the past few years, I've added Christmas cards as well.  The store owners approached me about doing them since they have a very large section of tropical themed Christmas cards.  The owners have always supported local artists.  Rosanne feels that tourists appreciate that the cards they are buying are created by local artists.
For me coming up with something new and different does not come easy.  There are SO many cards with tropical themes available and you don't want yours looking like a clone of the others.   "Holly and Ivy" is one of my personal favorites.

I added magnets to the Beachgypsy line a couple years ago.  What a learning experience that was!  How did I know how to gauge the strength of the magnet strip that I would need?  Thank goodness for samples!  Magnets are the one product that Woody does NOT do....darn!  They take a steady hand and a good eye to make....my hands and eyes aren't what they used to be.

I consider myself very lucky.  I have a wonderful creative outlet, the overwhelming support of the Venice Stationers owners and a great "production manager".  I don't want to branch out, expand or get more business; my job is perfect just like it is~it's fun!

BTW:  The scene on the logo is the place where Woody & I met and were married.

Friday, August 20, 2010

GHOST RANCH~A Place of Peace, A Place for Art



For someone who loves art, nature and travel, finding out about  Ghost Ranch was serendipitous.
My only regret is that I didn't learn about it sooner.  

Ghost Ranch is located on 21,000 acres near Abiquiu, NewMexico (about an hour from Santa Fe).  It is a spiritual conference center, a place of retreat and an education center.  Originally a dude ranch owned by Arthur and Phoebe Pack, it was given to the Presbyterian church in the early 50's.  For awhile Georgia O'Keefe lived in a house on the ranch before she moved to Abiquiu.  The landscape was the subject of many of her paintings.

Ghost Ranch is not a resort and is it not necessarily a religious destination.  The spiritual  and retreat center offers space for individual solitude, silent or guided retreats, spiritual direction and group retreats.  The educational programs provides a variety of classes in fine arts, writing, photography.  Adventure programs include hiking, horsebackriding, paleantology,and fly fishing.  There are classes to learn about the people of Northern New Mexico and there are classes to learn about yourself.   There is a wonderful library that is open 24 hours a day and many hiking trails all around the ranch.  Classes are described in the on line catalog.

There is a Paleantology Museum with many specimens recovered from the land around Ghost Ranch; also many Indian artifacts.


The  lodging facilities are simple, clean and authentic. The rooms are basic, no frills ( no A/C), but clean and comfortable with magnificent views.  There are various types of accommodations from camping to rooms with private bathrooms and sitting areas.
There is a dining hall that serves 2 meals a day and  a swimming pool and laundry.  Phones and computers are available in the main office area...cell phones don't work well because of the topography of the land.  No TV, no newspapers; it's a reprieve from the outside world.  What you get along with your class, is a week of serene peace.

My first visit was in 1996.  I went in August and chose to stay in the very nice campground.  My site had an electric hookup which turned out to be a very good choice since it was in the 90's every day and I did take a small fan with me.  The campground facilities were quite adequate with showers and laundry; there is a camp manager on site. 

The class I took was "Sketching and Painting Northern New Mexico Villages".  It was taught by a wonderful artist, Pomona Hallenbeck.  She is the artist-in-residence and at the time, lived in a little camper and drove around in her Yellow VW Bug.   Classes were in the morning, afternoon and in the evening.  Most days included an all day outing to various small villages in the area.  We would sketch on site and have our art lesson or painting session in the evenings.  This class was just as much about the culture of the artisans and people who lived in these villages as it was about watercolor painting.

The first thing Pomona had us do was make color swatches using the New Mexico color palette.
This is a tedious undertaking; but one that everyone should do!  We mixed the colors, made value strips, cut them out and put them on a ring...this "color reference" ring would be used for  field sketching.  I still have those swatches and have since made more with other palette combinations.

Pedernal
I had a hard time at first adjusting to life on the ranch, especially ALL the walking from the campground to the dining hall, then to the Long House (art facility), then back to the campground.  I did this several times a day and it was HOT that entire week.  But the camaradarie of our group, the diversity of the sites, the beauty of the landscapes and the peacefulness is unforgettable.  It didn't take me long to fall into the ranch routine.  I also loved(!) all the wonderful Mexican food we ate in some of the small villages!   I wrote in my journal  on the last day that I was "so sad to leave our little group".   I still keep in touch with one of the women I met on that first trip.

The second time  I went was in 2005.  I needed a retreat, a break from work, life in general; it had to be Ghost Ranch.   I was having health issues and difficulty accepting my situation.   I signed up for another of Pomona's watercolor classes.   I was so excited to see Pomona, she hadn't changed one bit.  What a character she is!This class focused on watercolor techniques.   Most of the sessions were in the classroom, but we did take a tour around the  ranch where  Georgia O'Keeffe had once lived.  Later we did  paintings from our field study sketches. 
This is one of our studies.
  We sketched Chimney rock  on site. (It is one of the popular hikes.)   Back in the studio we painted the scene four different ways~line, mass, wet-in-wet and one combining the others.
Chimney Rock

One of my favorite things to do, in the early morning before class began, was walk the labyrinth.
The Labyrinth -- designed on the Chartres model,  a one-half mile circular path for prayer, meditation, and reflection--- was a gift to the Ranch.
Walking the labyrinth is very mediative and calms the mind.


Cedar Cabin
Living/Sleeping space
shared Sitting Area
On my second visit I stayed in one of the lower level housing units closer to the art building so that I didn't have to walk as far.  Since it was the first week of the Spring session (early May), there were few visitors and my unit ended up being private~just me.  It was very nice.  I had a wonderful view; private bath and shared sitting area.

Our art lessons were quite varied; alternating between design and composition to color and watercolor techniques.
 On one day, we took a jeep tour to Georgia O'Keeffe's previous home on Ghost Ranch, Rancho de los Burros.  She had bought this site from the Pack's and lived there for many years before moving to Abiquiu.  (Her Abiquiu home can be toured with advance reservations.)
Puenta del sol
On the tour of the property we saw beautiful country highlighted by many geologic formations.  Some you could recognize from her paintings.  Our assignment on this tour was to make sketches that we would use in our evening painting session.
 I sketched the Puenta del Sol and Pedernal.  I also wrote a haiku on this outing: 
                                                           Crimson, violet, gold
                                       moulded mounds stand tall, lay still
                                            telling Earth stories.
We had "homework" several nights.  One of the "out of class" assignments was to find an interesting art book in the library (it is a very nice library) and report about something new that you had learned from it.  The book I read was Experiments in Watercolor by Michael Crespo.
I tried several of the techniques described, my favorite being painting to music.  I had taken my portable CD player and a couple CD's, mostly classical music.  I painted 4 while listening to the music and letting it guide the painting.  This was painted  to Samuel Barber's Adagio for Strings.

Another project was to paint something in your room.
"Ghost Ranch Chix"
On this one I lucked out because I was staying in one of the cabins that had an adjoining sitting area.  There were several little decorative pieces in that room.

This is painted on gessoed matboard.




A couple more Ghost Ranch paintings:



These were small 5"x5" paintings done walking around the ranch one afternoon.
While I sat and painted the blue ladder, a group of school kids was coming for a pottery class.  As they walked by, one little girl came up to me and asked "if I was a real artist".  I told her I was learning to be one.  She said, "that's really good".

On the last day I wrote in my journal; " I've finally reached full relaxation---I don't think about anything except what's in front of me."
I knew Ghost Ranch wouldn't let me down!


  The Georgia O'Keeffe Museum, in Santa Fe is spectacular.  There is a wonderful introductory movie in which she is the one narrating.  The art is extensive from her earliest work on.  Like all of the other sites in Santa Fe, it is well worth the visit.

Tuesday, August 17, 2010

HAIKU~

 Some kind of Japanese poetry.
That's all I knew about Haiku, until one of the Thursday night meetings of the Aurora Artists Guild.  That night the demonstration was presented by a watercolor artist who used Haiku together with his painting.
He described the form and showed us many examples of his owns poems; then we were challenged to create our own Haiku using paintings he had brought along as inspiration. 
And that was the beginning.

I wrote my first Haiku after a visit to the Denver Botanical Gardens.  I remember the day vividly.  It was August, 1997.  I expected to see the water gardens filled with beautiful waterlilies; an international water gardening conference was to begin that week.   What I saw instead was devastating.  There had been a hailstorm the preceding day and the entire garden was destroyed....my Haiku:                                       
Where is the color?
Sorrowful shredded lovelies
tears of sadness well.

According to Wikipedia, HIAKU is a form of Japanese poetry. It embodies an essence of inspiration received through physical senses; linked poetry that values the genuineness of expression of feelings according to the nature of the mind.  Traditional haiku consist of 17 on, in three phrases of 5, 7, and 5 on respectively. Although the word "on" is often translated as "syllable", in fact one on is counted for a short syllable, an additional one for an elongated vowel, diphthong, or doubled consonant, and one more for an "n" at the end of a syllable. Thus, the word "haibun", though counted as two syllables in English, is counted as four on in Japanese (ha-i-bu-n)

In English, Haiku is usually created using of one or more of the following:
• Use of three (or fewer) lines of 17 or fewer syllables;
• Use of a season word (kigo);
• Use of a "cut word" sometimes indicated by a punctuation mark to contrast and compare, implicitly, two events, images, or situations.

English haiku do not adhere to the strict syllable count found in Japanese haiku and the typical length of haiku appearing in the main English-language journals is 10–14 syllables. Some haiku poets are concerned with their haiku being expressed in one breath and the extent to which their haiku focus on "showing" as opposed to "telling". This is the genius of haiku using an economy of words to paint a multi-tiered painting, without "telling all". 

As Matsuo Bashō , a 17th century Japanese poet, put it;
"The haiku that reveals seventy to eighty percent of its subject is good.
Those that reveal fifty to sixty percent, we never tire of."

When writing Haiku, I use the 17 syllable, 5-7-5 form.  I am usually inspired by a particular event, a beautiful scene or strong felt emotion.   Here is a sampling of my Haiku.

April explosion
Suffocating darkness
Our Gulf is dying.
                                                6/24/10  (BP Gulf oil spill)

A Jacaranda
Paints the tropical landscape
Passionate purple.
4/03

Through billowing clouds
God rays shine upon the sea
There dwells perfect peace.
11.1.07






A wise little boy
Gave me pink flowers~Always
a good idea.
July,2007

Words without substance
Promising an empty hope
The worst cruelty.
~0707

A day with beauty
Astounds, inspires, uplifts, calms
Heals a troubled soul.
3.10.08

Truth and purpose
Seem lost in a haystack
Can the lost be found?

Drained of desire
Moving through each day empty
Refill the glass, please.
Jan 2010

Late afternoon rain
Leaves a colored arc, straddling clouds
Beautiful rainbow
8.13.09

Black seed and millet
Offered in Copper and Glass
Red Cardinals feast
        1/18/09 (first bird at our new feeder)







Happy Bride and Groom
Showered with pastel petals
Lovely beach wedding.
9.25.09




Back stratched, tummy full
Naptime on the window sill
such a happy cat.
                                                             9.9.09


Budding seaoats sway
Dunes capped with a golden glow
Nature’s perfect art.
6.8.2003

 
       
Stunning white beauty
Captures attention with her
Alluring fragrance
           2003 (Sierra Blanca, our first orchid)

 

 
      Two kindred spirits
Loving each other in the
Time and space they share.
  2002

These are only about a third of the Haiku that I have written. 
If you would like to know more about Haiku check out the references below.
http://www.ahapoetry.com/haiartjr.htm    Jane Reichhold ~Haiku Techniques
http://simplyhaiku.com/   Simply Haiku: Quarterly Journal of Japanese Short Form Poetry

Wednesday, August 11, 2010

What IS a dabbler?

Before becoming comfortable with "artist", I always considered myself a dabbler.

I was first aware of what a dabbler was when I was in Girl Scouts.  I liked what the Dabbler Badge looked like.  Honestly, I can't remember if I earned this badge but I embraced the idea of being a dabbler.
I did a Google search and found the requirements for the badge;
but I still can't tell if I would have earned it.
1. Take colored chalk and see how many different ways you can  use it.
2. Make a drawing or painting of something such as a story you
     like, a song you like, or a place you have been.
3. Make a pinch pot out of clay.
4. Make a hike stick, simple toy, whistle, cook spoon, or darning egg out of wood.
5. Make a candle holder, corn popper, cookie cutter, or imaginative animal out of tin.
6. Take bunches of grass, pine needles, or like material and make a sit-upon by coiling and sewing with raffia or long grass.
7. Learn something about how the American Indian and other folk arts have influenced arts and crafts of today.
8. Cut a leaf pattern or other design into a piece of potato, linoluem, wooden bock, or stencil.
     Print your design on a smock or apron.
9. Make hand puppets of characters from favorite stories and have each puppet act.
10. Make an imaginative fish or animal form from wire.
11. Make a peepshow or a diorama.

Before I started this post, I wanted a good definition of dabbler.  I checked several different sources and these are what I found:
  •    One who engages in an activity superficially or without serious intent.  (I never work on anything superficially)
  •     A person who never keeps doing one activity for long. (This could be me, but "long" is  relative".)
  •     An amateur is someone who pursues a study or sport as a pastime.  (No, there was more of a passion or purpose or desire to do something new; never just to pass the time; and in some activities, I definitely passed the amateur stage.)
  •    To work at anything in an irregular or superficial manner. (Not me!)
  •     Doing  many things but none of them particularly well.   (I'd rephrase this; do many things some of them particularly well.)
I don't think any of these are really accurate definitions.  I believe I was born with the "dabbler gene".  I have always had a craving to learn something new~and still do.; but when the passion dies, I move on to the next "new" thing.
I suspect that every "creative" woman from my generation was consumed by "crafts" in the 80's.
My addiction to crafts actually began in 1968 on a trip to visit Aunt Butter in Virginia.  She is like the fairy godmother of crafters.  She did everything that came along.  I thought she was  the most interesting person I knew.  I still have a very small hand painted porcelain pin that she sent me.  I still can't imagine how on earth she painted on that tiny disk....even with a magnifying glass.

On this particular visit, she was "into" decoupage.  I loved the items she had done; so I asked her to show me how to do it.  Well, everyone got a decoupaged gift for Christmas that year.  My Mother still has the playing card box I gave her.  I have only one of those original pieces; it's a postcard from an art museum.  It's one of those possessions that has followed me all over the country.  I suppose it might be unusual, but most of the things that I created, I either sold or gave as gifts, I have virtually nothing.   When I visit a friend's or realtive's home and see these things~I am truly amazed that "I DID that".

My dabbling started after college.  My roommate and I dabbled our way through Europe; 11 countries, 16 cities in 9 weeks.  What a memory we made; and it made me a "forever traveller".
Then I moved West and started trying new things.  I learned to ski~both snow and water; instead of buying a TV, I rented a piano and re-taught myself to play; I learned to play bridge, I hiked and together with a friend bought a horse and learned to ride and everything else about keeping a horse.  This lasted about 2 years until I realized that the horse really didn't respect me and out of the corral I was never really in control.  While owning Sunny, I never had fingernails (he never walked over a branch, he had to jump) and after falling off (catapulted actually) & having him roll on me, I decided that Sunny needed a new home.  Having never had dancing lessons as a child, I enrolled in a ballet class.  I loved that; the movement, the flexibility I developed, the music, the barre and dance routines, the discipline~everything.  Then I graduated to point class.....that ended my dancing days.  I worked on my feet all day.  No way was I going to have sore toes too.   I learned how to pitch a tent, camp in the mountains~no "services"; I learned the names of wildflowers and how to fish.  And then I learned how to be a Mother....I'm still doing that one!
I had always loved needlework.  My Mother taught me to sew and I made doll clothes when I was 8 or 9, by hand.  I learned to knit and to crochet.  Sewing became a passion.  I used to try and make my own clothes and they always looked just like that ~homemade.  Then, I decided it was time to get serious.  I took classes, bought books, beautiful fabric, notions.  I made kids clothes, doll clothes, maternity clothes & Halloween costumes (I said "enough" to that when my daughter was 13!)  My "aha" moment came when I took an "altering" class.  That is when I learned how to alter a pattern and  make clothes to fit my odd shaped body; you couldn't tell my homemade clothes from the store bought ones  after that.
I knitted sweaters for Christmas, crocheted intricate afghans when I could hardly decipher the directions, I did crewel embroidery ( I can't or shouldn't brag about those pieces...pretty gaudy, it was the 70's).  When I gave up doing counted cross-stitch, I gave away 3 storage boxes full of patterns, hoops and every color of floss, ribbon and metallic thread they made.
I did leaded stained glass.  It took up so much space!  We had to clear the kitchen table once in awhile to eat.  I only did 5 projects...all gifts.  I taught myself calligraphy, was hooked on tole painting for years; macrame, basketweaving (again I only made 5 egg baskets and all were given as Christmas presents).  Basketweaving is very hard on the hands.  I was lucky to have a friend who also started making baskets so I sent her 2 boxes of reed, raffia and fancy handles. I have 4 baskets that she sent me in return.   I've done bookbinding..lots of variety there and I still do it; I dried flowers, made potpourri, scented bath salts, simmering spices, Amish dolls, papier mache piggy banks (with balloons and egg cartons), hat boxes and calico cat door stops.  These are all the crafts I really enjoyed.  Most of these things I sold at craft shows.
There were some things I really failed at.  Scherenschnitt.  I loved the detail and intricacy but was never able to do it without mutilating the paper.  Quilting~the time vs. reward ratio was just too much for me; glass painting, playing the guitar and after one paper crane, origami.
I ended my craft days years ago; giving away or donating most of the huge amount of supplies I had accumulated over 20 years.   When I retired, I simplified my life.  Today my craving to learn new things isn't quite as strong but definitely still there.  After the first failure to learn watercolor, I tried again. I think now I've succeeded in this art medium.  After 5 or so years of painting, I was able to say that I am an artist.  I am very fortunate to be able to sell my artwork in a local gift shop.   Arthritis has slowed me down just a bit but now I write Haiku,  grow orchids, make handmade cards at Christmas, can make avocado soup(using the avocados from our prolific tree), know the names of all the shorebirds, speak a little French and even use Facebook ( I even have a special page dedicated to Paris).  I found a great website today  http://www.craftypod.com/ and saw this very interesting needlecraft called Kanzashi. ....something new to try???

If what they say about "variety being the spice of life", then I think that being a dabbler is a very good thing!